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I am drawn to landscapes that contain buildings that reflect the age of a place with weathered personalities of their own, which speak to me of a time gone past. In much of my work you can see the juxtaposition of the old and the new, nature and man’s work, as well as the timelessness of the fully natural landscape.

After 15 years of making documentaries—with all its interaction with people, equipment and phone calls—my return to still photography has been intensely satisfying. Working on my own, patiently returning to a location until I get the right light, gives me a feeling of meditative focus that I have missed during my time making films.

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